I am reading the third Timmy Failure book by Stephan Pastis, We Meet Again, with my 9 year old son. The books are a terrific series that are getting better over time.
The basic premiss is a simple one – Timmy is an odd kid who lives with his mom and his polar bear named Total with whom he runs the greatest, but as yet unknown, detective agency. The agency is called Total Failure Inc.
What makes these books so terrific is the Timmy’s absolute and unwavering confidence in his own abilities as a world class detective, even though he has never come close to solving an actual case. He is one of the most unreliable and completely self-deluded narrators I have seen in literature. And it is this strong and completely ridiculously wrong-headedness that makes Timmy so lovable.
After the second book, Now Look What You’ve Done, my son Alex characterized Timmy as “sort of sad but going on anyway, the best he can.”
The supporting characters include Timmy’s best friend Rollo Tookus who cares about grades, Molly Moskins who cares deeply about Timmy, and Corrina Corrina (AKA The Beast, The Wedgie, and World Wide Enemy of Da Goodness) who is Timmy’s arch nemesis. She is unaware of her status.
Also, the pictures make me laugh. Some of the best pictures are illustrations that align with the text, such as images of Señor Burrito (who happens to be Molly’s girl-cat) as she sits at the table and puts her paws in Timmy’s tea while he interrogates Molly.
Pastis doesn’t overuse these visuals, instead he drops them in sporadically but often enough so we learn to expect and relish the craziness that is the world of Timmy Failure.
I asked my son what he’d say to the author if he ever got a chance to talk to him. He responded, “Thank you for writing such an awesome series. I love how Timmy tries and fails so hard. Oh, and TACOS!!!”
That pretty much sums up the books nicely.
In addition to the Timmy Failure series, I have been rereading some graphic novels in preparation for starting a new research project. I’m looking at the representation of women and girls in graphic novels, especially those that feature female protagonists. I’m developing an online form and database in an effort to crowd source data about these books.
One aspect I am looking at in regards to graphic novels is what is known as the Bechdel Test, named for Alison Bechdel author of Dykes to Watch Out For, Fun Home, and Are you My Mother. In brief, the Bechdel Test simply highlights if women appear as functioning characters in movies and books. There are 3 elements – 1) Are there 2 NAMED female characters; 2) Do they speak to each other, 3) about something other than men? That’s it.
I went back and looked at a few graphic novels I have in my “might use in class’ pile. Nonewere selected specifically for female protagonists but the results are interesting none the less:
1. Sidekicks by Dan Santat. Fails on the first part of the measurement. Although there are a few women who speak, none are named.
2. The Shadow Hero by Gene Luen Yang and Sonny Liew. Passes all parts. There are multiple named women including Hua Chu (Hank’s mother), Red Center (Hank’s love interest), Red’s sister Green, and Mrs. Olson (Hua works for her). All of these women speak, some have conversations with each other about things other than men.
3. Bird and Squirrel by James Burks. Fails. Also fails in another important way … the misrepresentation of Native people and culture. Not only is there only one named female character, she is the “chief’s” daughter. The story centers around Bird and Squirrel landing in a snowy land filled with vaguely Inuit-type penguins who are, of course, in need of saving. The penguins wear face paint, carry spears, have a ‘medicine’ man who lives in a glowing green cave, sees visions and says things like “I listened to the wind”. In a word, this is an awful misrepresentation of some sort of unspecified native culture with a dash of White male missionary privilege tossed in for good measure.